{"id":7,"date":"2012-05-17T13:39:39","date_gmt":"2012-05-17T17:39:39","guid":{"rendered":"http:\/\/raymondstjean.com\/?page_id=7"},"modified":"2026-09-23T13:43:40","modified_gmt":"2026-09-23T17:43:40","slug":"about","status":"publish","type":"page","link":"https:\/\/raymondstjean.com\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;265541&#8243;]<img decoding=\"async\" class=\"alignleft wp-image-8129\" src=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-scaled.jpg\" alt=\"\" width=\"733\" height=\"1099\" srcset=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-scaled.jpg 1707w, https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-213x320.jpg 213w, https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-633x950.jpg 633w, https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-768x1152.jpg 768w, https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-1024x1536.jpg 1024w, https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/12\/NERVURES_portrait_\u00a9Marlene-Gelineau-Payette_DSC05005-1365x2048.jpg 1365w\" sizes=\"(max-width: 733px) 100vw, 733px\" \/>Raymond St-Jean is a film director, screenwriter, and multimedia designer. After studying communication at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, he began his career directing music videos and short films. Over the years, he has explored a variety of genres, directing dramas (<em>Veins, Dusk for a Hitman, Out of Mind: The Stories of H.P. Lovecraft<\/em>), documentaries (<em>Louise Lecavalier \u2013 In Motion, A Chair Fit For An Angel, Le Mozart Noir, Ghost Town, L\u2019oiseau de nuit<\/em>), and performing arts films (<em>Les trous du ciel, Cabaret Neiges Noires, Peepshow<\/em>). His films have been broadcast in Canada and Europe and showcased at numerous festivals.<\/p>\n<p><em>Veins<\/em>, his most recent feature film, was selected in six international film festivals (Cin\u00e9mania, Tallinn Black Nights Film Festival, Festival du film fantastique de G\u00e9rardmer, Fantasy Filmfest Nights \u00a0Lincoln Center&#8217;s Scary Movies XIV, Lisbon International horror film festival).<\/p>\n<p>His previous feature film, <em>Dusk for a Hitman<\/em>, premiered in Quebec on March 10, 2023, to favourable reviews and an excellent reception from audiences.<\/p>\n<p>His feature-length documentary <em>A Chair Fit For An Angel<\/em> was screened at over ten international festivals. The film won the Best Canadian Film Award and the ICI ARTV Award for Best French Canadian Production at the 32nd International Festival of Films on Art. The film also received the Best Feature-Length Documentary Award at the Massachusetts Independent Film Festival in 2014 and the Grand Prize Golden Eagle at IFFEST Document.Art 2014 in Bucharest.<\/p>\n<p><em>Louise Lecavalier \u2013 In Motion<\/em>, his most recent documentary, delves into the life and work of the acclaimed Canadian dancer and choreographer Louise Lecavalier.<\/p>\n<p>For Cirque du Soleil, Raymond designed the video projections for <em>Zaia<\/em> in 2008. From 2009 to 2011, he again collaborated with Cirque du Soleil, designing and producing the multimedia content for <em>Zarkana<\/em>, which toured in New York, Madrid, Moscow, and Las Vegas. In 2012, he co-designed <em>The World of Michel Tremblay<\/em>, a multimedia installation honouring the renowned Canadian playwright. In 2013, he co-designed the multimedia content for <em>Michael Jackson ONE<\/em> at the Mandalay Bay Resort and Casino in Las Vegas.<\/p>\n<h4 style=\"margin-top: 39px;\">What the critics say about <em>Dusk For A Hitman<\/em><\/h4>\n<ul style=\"list-style-position: inside;\">\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/05\/Dusk-For-A-Hitman-2023-Rabbit-Reviews.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> [2023] &#8211; Rabbit Reviews<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/DUSK-FOR-A-HITMAN-Review-A-Gripping-Snapshot-About-A-Hitman-With-A-Killer-Choice-To-Make-Film-Com.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> review: A Gripping Snapshot About A Hitman With A Killer Choice To Make <\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Dusk-For-A-Hitman-Featured-Reviews-Film-Threat.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> &#8211; FILM THREAT<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Dusk-for-a-Hitman-Crespuscule-por-un-tueurCanada-2024-\u2013-WorldFilmGeek.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> review &#8211; World Film Geek<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Director-Raymond-St-Jean-tackles-the-story-of-Canadian-hitman-Donald-Lavoie-in-Dusk-for-a-Hitman-C.pdf\" target=\"_blank\" rel=\"noopener\">Director Raymond\u00a0St-Jean tackles the story of Canadian hitman Donald\u00a0Lavoie in <em>Dusk For A Hitman<\/em><\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Dusk-for-a-Hitman-Is-a-Brutal-Story-of-Brotherly-Love-Strong-Female-Antagonist.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk for a Hitman<\/em> Is a Brutal Story of Brotherly Love<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Complex-Nuances-in-the-Underworld-Dusk-for-a-Hitman-by-Ken-Hall-\u2013-Retreats-from-Oblivion-The-Jou.pdf\" target=\"_blank\" rel=\"noopener\">Complex Nuances in the Underworld: <em>Dusk For A Hitman<\/em><\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Complex-Nuances-in-the-Underworld-Dusk-for-a-Hitman-by-Ken-Hall-\u2013-Retreats-from-Oblivion-The-Jou.pdf\" target=\"_blank\" rel=\"noopener\">Retreats from Oblivion: The Journal of NoirCon<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Dusk-for-a-Hitman-review-More-than-just-a-killer-with-a-conscience-\u2022-AIPT.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> review: More than just a killer with a conscience<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Dusk-For-A-Hitman-Review-Slow-Burn-Drama-Delivers-High-Stakes-And-Brash-Violence-Geek-Vibes-Na.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> Review &#8211; Slow-Burn Drama Delivers High Stakes And Brash Violence<\/a><\/li>\n<li style=\"margin-bottom: 13px;\"><a style=\"text-decoration: underline;\" href=\"https:\/\/raymondstjean.com\/wp-content\/uploads\/2024\/04\/Dusk-for-a-Hitman-movie-review-2024-Roger-Ebert.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dusk For A Hitman<\/em> Movie Review &#8211; Roger Ebert<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Photo\u00a0: Marl\u00e8ne\u00a0G\u00e9lineau\u00a0Payette[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;265541&#8243;]Raymond St-Jean is a film director, screenwriter, and multimedia designer. After studying communication at the Universit\u00e9 du Qu\u00e9bec [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":20,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":27,"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":8244,"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/pages\/7\/revisions\/8244"}],"wp:attachment":[{"href":"https:\/\/raymondstjean.com\/en\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}